RICK HOLLAND PRODUCTIONS PRESS

BLUE LAKE PUBLIC RADIO

Lazaro Vega

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It began as a Swing Band project, in the winter of 2005, in Oswego, NY, where Rick met Evan Dobbins, and put together a ten-piece swing band, to play occasional concerts, and private parties. Evan was to contract and Rick would be in charge of music when, the band played five, or six-events, and Rick had the idea, they would not only play swing music, but play modern jazz. Thus, ''The Little Big Band'', and ''Uptown Society Orchestra'' were formed.

In 2006, the band released their first disc, entitled “In Times Shadow”, which was a mainstream release on Blue Jazz. It received wide critical acclaim, prompting Ollie Bivins in LA to say: “Rick Holland (Trumpet) and Evan Dobbins (Trombone) lead a group of New York area musicians, who could give the more well-known big bands in New York and Los Angelas a run for their money, and as part of the the Blue jazz label, a label that promotes and distributes jazz musician’s albums. this big band is taking its destiny into it’s own hands rather than wait to be “discovered” by the major labels. More power to this label and all others who do the same. Lovers of Big Band music, especially, will like the Rick Holland-Evan Dobbins Little Big Band’s refreshing recording.”

Doug Collar in East Lansing, Mi said this....''I have just played “In Time’s Shadow” the new CD from the Rick Holland-Evan Dobbins Little Big Band. What a disc! What a sound! What an ensemble! This disc is my top nomination for jazz ensemble release of the year. The arranging is nonpareil and the soloists masterful. The whole package is varied, listenable, and leaves the audience asking for more. Rick Holland and Evan Dobbins have created a musical experience that our listeners will absorb and enjoy.''

After the release of this disc, the band landed their first steady gig at Tasteology, every Monday night. The gig lasted 2 years, as the bands repertoire grew. The band then moved over to the Loving Cup, in Henrietta, New York. They played on Sunday nights, this gig lasted 3 years. This led to the band 2nd recording, “Trilby”, in 2011. Some of the review was just marvelous. For example:

Throughout Trilby, the Rick Holland-Evan Dobbins Little Big Band plays on the level of most better-known ensembles, performing music that is inventive, full of life and fun. Their CD is highly recommended.-Scott Yanow, author of ten books including The Jazz Singers, The LA Times

What a surprise! This band and musicians were unknown to me, but they are absolutely great! For listeners to hear musicians challenge themselves, and be taken along for the ride, records like this are a must! The musicians in the Rick Holland-Evan Dobbins Little Big Band are all reaching the high musical standards realized by playing in this excellent Little Big Band! This music will be featured in my playlists for many months to come. Thank you again for sending this exceptional CD to me.
Peter Kuller - Jazz Presenter Radio Adelaide 101.5 FM, and www.radio.adelaide.edu.au JPL "Jazz from Down Under".

The liner notes inform us that this ensemble started as a swinging dance band in 2005. Since then, they've evolved into a solid, well-arranged outfit with first rate solos played by intriguing, skilled jazz cats. The feeling I derived from the CD was similar to a classic Blue Note session. You know, several well-written originals that are melodically strong, and a few standards to test the players' chops on familiar material. The co-leaders play flugelhorn and trombone, respectively.

Most of the arrangements come from pianist Bill Dobbins, who allows plenty of room for free-swinging solo work. The familiar vehicles here include Benny Golson's "Stablemates" and Sonny Stitt's "Eternal Triangle." I also spotted a tune called "Rich's Call" by Kerry Strayer, a baritone player of the highest stripe, and a skilled composer and arranger as well. It is interesting to note three compositions from jazz harmonica whiz, Hendrik Meurkens. Perhaps, he has some connection to the band.

Finally, it should be said that this session is directed straight down the middle of the bop highway. Simply an outstanding blowing session on songs that, amazingly enough, sound like songs! Wow! What a Surprise!
George Fendel Jazz Society of Oregon

Since 2011, the band has a new focus. First, it is commissioning the legendary Bill Dobbins, to write sample arrangements from his famous “Evolution of Jazz Piano”, a series of movements based on the tune “All of Me”. Secondly, is breaking in it’s new vocalist, 19 year old sensation, Lindsey Holland. The band currently has over 60 arrangements for her to sing, including selections from Nancy Wilson’s disc with Cannonball Adderley.

Furthermore, we have a Christmas Set now for her to sing, as well as many straight ahead jazz standards. The hope is for this group to record both of these projects sometime in the future.

ALL ABOUT JAZZ

Jack Bowers

The Rick Holland—Evan Dobbins Little Big Band
Trilby
RPO Productions

Five years after a sensational opening act (In Time's Shadow, 2006), trumpeter Rick Holland and trombonist Evan Dobbins have returned for an encore, Trilby, marshaling as before their irrepressible Little Big Band. As was noted of that earlier recording, "the only thing small about [this band] is its numbers." Baritone saxophonist Dean Keller, who shared that chair with Kerry Strayer on Shadow, also returns. The rest of the lineup is brand new, with Evan Dobbins' dad, the well-known educator Bill Dobbins (Eastman School of Music), replacing the splendid pianist John Nyerges.

Besides shining at the keyboard, Bill Dobbins wrote "My Darling Darlene" and arranged half of the album's other ten numbers. Although he doesn't play this time around, Strayer composed "Rich's Call" and arranged Sonny Stitt's "Eternal Triangle" and Oscar Pettiford's "Tricotism," while Brent Wallarab wrote "Trilby" and arranged Benny Golson's "Stablemates." Bill Dobbins' engaging charts brighten three originals by Hendrik Meurkens—"Slidin," "Second Waltz," "The Cottage"—as well as Hal Crook's "Fused" and Alec Wilder's lovely standard, "While We're Young" (a reprise from the band's earlier album).

Holland, who plays flugelhorn exclusively, solos strongly on seven numbers, striking the ball with assurance and perception on every turn at bat. Bill Dobbins ("Slidin," "The Cottage," "Trilby," "Darlene," "Tricotism") amplifies the message, as do Evan Dobbins ("Slidin," "Fused"), Doug Stone (alto on "Stablemates," clarinet on "Second Waltz," soprano on "Trilby" and "While We're Young"), tenor Mike Pendowski ("Eternal Triangle," "Fused," "Rich's Call"), trombonist Nick Finzer ("Second Waltz," "Tricotism"), bassist David Baron ("The Cottage," "Tricotism") and blue-chip drummer Rich Thompson ("Eternal Triangle," "Fused," "Rich's Call"). When they're not having their say, the ensemble is front and center, giving each of the charts its single-minded attention. The result is music that flows easily without miscue.

Trilby marks a second triumph by the Holland / Dobbins Little Big Band, which, as was noted after its debut album, "is more big than little, in every sense of the word." Those who appreciate a tight, swinging band, even if slightly undersized, are sure to admire Trilby.

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JAZZ SOCIETY OF OREGON

Review of Trilby

The liner notes inform us that this ensemble started as a swinging dance band in 2005. Since then, they've evolved into a solid, well-arranged outfit with first rate solos played by intriguing, skilled jazz cats. The feeling I derived from the CD was similar to a classic Blue Note session. You know, several well-written originals that are melodically strong, and a few standards to test the players' chops on familiar material. The co-leaders play flugelhorn and trombone, respectively. Most of the arrangements come from pianist Bill Dobbins, who allows plenty of room for free-swinging solo work. The familiar vehicles here include Benny Golson's "Stablemates" and Sonny Stitt's "Eternal Triangle." I also spotted a tune called "Rich's Call" by Kerry Strayer, a baritone player of the highest stripe, and a skilled composer and arranger as well. It is interesting to note three compositions from jazz harmonica whiz, Hendrik Meurkens. Perhaps he has some connection to the band. Finally, it should be said that this session is directed straight down the middle of the bop highway. Simply an outstanding blowing session on songs that, amazingly enough, sound like songs!